
More than any other failing the overuse of analogue references in the design of user interfaces for iOS and Mac OSX is my greatest complaint. It’s also one of the reasons why I find Windows Phone and to a lesser extent WebOS so refreshing.
Digital cameras produce a reassuringly retro but artificial shutter snap when you push the button to take a photograph; cellphones have keyboards with layouts originally meant to keep typewriters from jamming; and blue jeans have pockets that are a throwback to a time when watches dangled from chains.
Add to that list Amazon’s e-reader, the Kindle, which will now supplement its “location numbers” with page numbers that correspond to physical books. The change, announced last week, does have a practical purpose — especially for book clubs, whose digital readers presumably will no longer have trouble looking up the same page as analog readers.
But there is also a sense of absurdity here. E-books, by definition, do not have pages. [...]
Designers in all fields are regularly confronted with versions of this choice: whether to incorporate cues to keep people grounded in what has come before, or scrap convention completely. [...]
Apple, probably the best symbol of the march into a new digital era, also encourages designers to incorporate analog references in its devices. On the iPad, users enter appointments into a calendar that is encased in an on-screen leather ledger, scrawl notes on what looks like a legal pad and advance through digital books by swiping their fingers across the screen, prompting an animation that actually looks like a page being turned.
Such superfluous references to the past are known as skeuomorphs (from the Greek words for tool and form), and Apple’s fondness for them on the iPad has provoked criticism from some designers.
Subtle references can add warmth, familiarity and when matched to the users mental picture of how an activity should look and work (their mental model) enhance usability. Unfortunately the extent of this technique has gone far beyond it’s usefulness and in so many cases look ridiculous and tacky.
NYT: Why Innovation Doffs an Old Hat. Via @ joshbuller